Tom Jeffreys, Scotland
|
Tom Jeffreys is a writer who lives in Edinburgh. He writes primarily about contemporary art and is especially interested in work that engages in ecological concerns. He is represented by Zoe Ross at United Agents.
Tom's books include: Walking : Documents of Contemporary Art (Whitechapel Gallery and The MIT Press, 2024); To an island in a loch on an island in a loch , with Kirsty Badenoch (Mouldy Books, 2023); Iman Tajik : Welcome to Portobello (Art Walk Projects, 2022); The White Birch : a Russian Reflection (Little, Brown, 2021); Meadow Arts : the first 20 years (Meadow Arts, 2021); and Signal Failure : London to Birmingham, HS2 on Foot (Influx Press, 2017). |
|
Tom's writing has been published in magazines, newspapers and websites such as: Apollo, Art Basel, Art Monthly, ArtReview, Finnish Architectural Review, e-flux, Frieze, The Guardian, The Independent, Monocle, New Scientist and The World of Interiors. From 2013 to 2023, he edited The Learned Pig, an online magazine of art and the nonhuman.
Tom frequently contributes to exhibition publications for museums and galleries including: Arts Territory, Cample Line, The Common Guild, Cooke Latham Gallery, Fries Museum, Karsten Schubert, Leeds University, Sir John Soane’s Museum, Talbot Rice Gallery and University College London.
Meet Tom on March 5, 18h30 at Atelier 11 for a participatory talk Reciprocal Transmissions: Art, Communities, and the More-than-Human World presented as part of the Transmissions exhibition by SofijaSilvia.
Tom frequently contributes to exhibition publications for museums and galleries including: Arts Territory, Cample Line, The Common Guild, Cooke Latham Gallery, Fries Museum, Karsten Schubert, Leeds University, Sir John Soane’s Museum, Talbot Rice Gallery and University College London.
Meet Tom on March 5, 18h30 at Atelier 11 for a participatory talk Reciprocal Transmissions: Art, Communities, and the More-than-Human World presented as part of the Transmissions exhibition by SofijaSilvia.
While many historic former studios in Paris have been converted into museums, Atelier 11 has continued to serve as a living artist space throughout its life. Today, the studio – founded in the 1870s – houses what is likely the oldest extant artist residency in the world. This easel was left by abstract painter Mira Maodus as a gift to the artists that would go on to take her place. |
|
Image by SofijaSilvia, featuring Mira Maodus' easel, from the "Atelier 11" special edition series,
available for sale in support of the preservation of Atelier 11 artist residency as part of its 150th Anniversary in 2025.
available for sale in support of the preservation of Atelier 11 artist residency as part of its 150th Anniversary in 2025.
